The View From Here: Brass Band Edition

Today, we're diving into a true Valaisan staple: the brass brand. Loud, proud, and deeply rooted in local tradition, the brass band is a cornerstone of Valaisan identity. It is not just music; it is a multi-generational family that brings communities together across the canton.

Let's follow Kevin and Nicolas into the heart of their demanding passion.

Can you describe the brass band world in a few words for people who are not from Valais?

Nicolas:

"Here in Valais, brass bands are much more than a simple hobby: they have been an integral part of our culture and local heritage for nearly 150 years (since around 1880). Historically, every village had two "rival" societies, each tied to a political party."

Kevin:

For me, it’s kind of like one giant family. Everyone ends up knowing each other, even if you don't necessarily play in the same section or the same society. It’s wonderful to see several different generations united around one single passion: music.

What drew you to the brass band, and how many years has it been a part of your life?

Nicolas:

My dad and a large part of my family were already part of it. Naturally, he signed my brother and me up for the brass band. I started when I was 7 years old.

Kevin:

What drew me in was simply that I had friends and a cousin who were already playing. I thought to myself, 'Why not give it a try?' And here we are—it's been 22 years now that I've been playing!

What is the time of year or event that you look forward to the most with your brass band?

Nicolas:

Without hesitation, the annual festival! This event brings together all the brass bands in the same district that share the same political affiliation (in my case, that represents 19 societies). It’s a very festive day, but one that remains musically serious. You meet musicians from other associations, grab a few drinks, and party together at the big ball in the evening.

Kevin:

For us, there are two highlights. First, the annual concert, because it allows us to show our audience and our loved ones all the work we’ve put in over months to deliver a high-quality program. And then, of course, the festival.

Between rehearsals, weekend sestivals, and a full-time career, how do you find the right rhythm to balance these two worlds?

Nicolas:

It’s true that it requires a huge amount of time and commitment. Personally, I find the hardest part is finding the motivation and time to practice my instrument individually at home for about an hour a day. You don't have to do it, but for me, it's an absolute necessity: otherwise, I don't enjoy group rehearsals because I stumble over technical difficulties or lack endurance.

Kevin:

Since I’ve been in this world for a very long time, this rhythm has become completely natural to me. I manage to balance these two worlds very smoothly.

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Some competition pieces can be incredibly difficult. Which piece gave you the hardest time, and what does it feel like when the whole band finally manages to play it perfectly together?

Nicolas:

I don't have a specific title in mind, but there have been several that gave me a real run for my money! At the end of a great performance on stage, even if it’s never 100% perfect, you feel a huge sense of relief mixed with great collective pride.

Kevin:

For my part, I immediately think of the set piece from the Federal Music Festival that took place in Biel: “Miss Cool Meets the Cat.” Technically, it wasn't that complex, but getting the overall coordination right with the entire band was a real challenge. We had to work hand-in-hand to achieve a result we were all extremely proud of.

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Every brass band has its "sacred" traditions. What is a ritual or habit you share with your fellow musicians right before a concert or during a rehearsal break?

Nicolas:

Our classic tradition is hanging around after rehearsals to chew the rag and share a drink at the bar. And right before going on stage for a concert, we treat ourselves to a small glass of white wine to take the edge off!

Kevin:

We don't really have a set group ritual before a concert. However, on a personal level, I like to isolate myself completely for the last 5 minutes before taking the stage. It allows me to tune everything out, focus on my sheet music, and get fully dialed in.